Practical filmmaking advice, crew guides and production tools.
How to Be a Better Film Crew Member (Without Pissing Off Other Departments)
Practical habits for sharing space, communicating clearly and avoiding friction with other departments on set.
Read articleFilmmaking Tools, Templates & Books
Practical downloads and working notebooks to help you prepare, stay organised and get more out of your time on set.
Template bundle
24 Call Sheet Templates
Give your crew the details they need with 24 call sheet layouts for student films, commercials and independent productions.
Word, Excel & PDF
PDF ebook
101 Lessons I Learned
Practical lessons from teaching film school: better set habits, stronger projects and fewer avoidable mistakes.
For students & early-career crew
Paperback
Cinematographer Logbook
Keep camera settings, shot notes and lighting diagrams together in one practical notebook for prep and shoot days.
Camera logs & lighting diagrams
Paperback
Gaffer Logbook
Record lighting setups, power notes and diagrams in a working notebook for the electric department.
Lighting notes & diagram pages
Latest Articles
How to Be a Better Film Crew Member (Without Pissing Off Other Departments)
Practical habits for sharing space, communicating clearly and avoiding friction with other departments on set.
Beni Camera Robot: Why I’m Backing Mondo Robotics’ Kickstarter
What Beni’s autonomous camera robot promises, why I backed it, and the limitations to consider before supporting the Kickstarter.
Introducing the Cinematographer Logbook
A practical notebook for recording camera settings, lighting diagrams and shoot-day notes, with a look at how the logbook works.
12 Film School Lessons Most Students Learn Too Late
Twelve lessons about reliability, preparation, communication and finishing projects that can make film school more useful.
I Wrote an Ebook Called 101 Lessons I Learned Teaching at a Film School
Why I wrote 101 Lessons I Learned Teaching at a Film School, and the practical filmmaking habits the ebook covers.
Film SchoolProduction Assistant
How to Get Your First Job on a Film Set (No Experience Needed)
Where to find entry-level set work, what to bring on day one, and how to turn a first opportunity into repeat calls.
How to Make Money Renting Film Gear in 2026 and 2027: Build Your Kit and Earn Passive Income
How to build a film equipment package, understand kit fees and choose gear that productions will actually rent.
10 Things Bad Producers Do (And Why It Destroys Film Sets)
Ten producer habits that damage budgets, morale and safety, with warning signs crew should recognise before a shoot goes wrong.
Is Film School Worth It in 2026? Pros, Cons & Alternatives
The costs, benefits and alternatives to film school, with practical questions to help decide whether it fits your goals.
Cinema Studies
Dogme 95: The Rule-Breaking Minimalist Revolution (1995–Present)
The rules and filmmakers behind Dogme 95, and how its restrictions shaped handheld camerawork, natural lighting and stripped-back storytelling.
Postmodern Cinema: When Movies Became Self-Aware (1980s–2000s)
How postmodern filmmakers use genre mixing, self-reference and borrowed styles to question reality and turn movies into commentary on cinema itself.
The Blockbuster Era: Hollywood Reinvented (1980–2000)
How franchises, high-concept pitches, merchandising and technological advances reshaped Hollywood during the blockbuster era.
Film Noir: Shadows, Crime & Moral Ambiguity (1941–1958)
The lighting, visual style and morally complicated stories that define film noir, with films and techniques to study.
Golden Age of Hollywood: The Era That Defined Studio Filmmaking (1930–1960)
How Hollywood’s studio system shaped film production, genres and visual storytelling during its Golden Age.
Early Hollywood: The Birth of Studio Storytelling (1910–1930)
How studio production, continuity editing and storytelling conventions developed as Hollywood took shape between 1910 and 1930.
More Articles
How to Be a Better Film Crew Member (Without Pissing Off Other Departments)
Practical habits for sharing space, communicating clearly and avoiding friction with other departments on set.
Beni Camera Robot: Why I’m Backing Mondo Robotics’ Kickstarter
What Beni’s autonomous camera robot promises, why I backed it, and the limitations to consider before supporting the Kickstarter.
Introducing the Cinematographer Logbook
A practical notebook for recording camera settings, lighting diagrams and shoot-day notes, with a look at how the logbook works.
12 Film School Lessons Most Students Learn Too Late
Twelve lessons about reliability, preparation, communication and finishing projects that can make film school more useful.
I Wrote an Ebook Called 101 Lessons I Learned Teaching at a Film School
Why I wrote 101 Lessons I Learned Teaching at a Film School, and the practical filmmaking habits the ebook covers.
Film SchoolProduction Assistant
How to Get Your First Job on a Film Set (No Experience Needed)
Where to find entry-level set work, what to bring on day one, and how to turn a first opportunity into repeat calls.
How to Make Money Renting Film Gear in 2026 and 2027: Build Your Kit and Earn Passive Income
How to build a film equipment package, understand kit fees and choose gear that productions will actually rent.
10 Things Bad Producers Do (And Why It Destroys Film Sets)
Ten producer habits that damage budgets, morale and safety, with warning signs crew should recognise before a shoot goes wrong.
Is Film School Worth It in 2026? Pros, Cons & Alternatives
The costs, benefits and alternatives to film school, with practical questions to help decide whether it fits your goals.
The Lighting Department in Film, Television & Commercial
How the lighting department is organised, what each role does, and how its crew manages the look, power and logistics of a shoot.
Working as a 2nd Grip (Best Boy Grip)
What a 2nd Grip does, from organising crew and equipment to supporting the Key Grip and keeping the department moving.
Film Set Horror Stories: The Beauty Shoot
An anonymous gaffer’s account of an overcomplicated beauty-lighting setup, ignored references and a book light that lost its purpose.
The Assistant Director Department
How the AD team coordinates the schedule, people and communication that keep a film set moving.
Grip vs Electric: What’s the Difference?
Where Grip and Electric responsibilities overlap, where they differ, and how the two departments work together on set.
Working as a 2nd Electric (Best Boy Electric)
What a 2nd Electric does, including crew coordination, equipment, paperwork and support for the Gaffer.
Film Set Horror Stories: The Overnight Shoot From Hell
An anonymous Second AD recalls fourteen overnight shoots, disappearing crew and a collapsing schedule, with lessons in preparation, leadership and accountability.
Cinematography Basics: 10 Fundamentals Every Beginner Should Master
Ten cinematography fundamentals covering exposure, lighting, composition, lenses and camera movement, with practical exercises and common mistakes to watch for.
Essential Tools for Assistant Directors
Practical tools for assistant directors, from watches and walkies to scheduling software, call sheets and paperwork, with advice on building a useful working kit.